45: Michael Rohde
Produced by Syne Mitchell on November 21, 2009
This episode, Anna Zinsmeister brings us another great interview! This time with Michael Rohde, a wonderful rug-weaver and tapestry artist. He tells wonderful stories from his weaving life.
ISRC: QMTY90900045
Audio recording and production: Anna Zinsmeister
- Artist: Syne Mitchell
- Title: 45: Michael Rohde
- Album: WeaveCast: The Podcast for Weavers
- Genre: Podcast
- Year: 2009
- Length: 51:43 minutes (47.39 MB)
- Format: MP3 Stereo 44kHz 128Kbps (CBR)
- Download audio file
- 7322 downloads
- 531 plays

Comments
Michael Rhode website
Michael has a website:
http://www.michaelrohde.com/index.html
I looked while I listened -- at the bottom of his home page there is a special section of photos entitled "Houses for Nomads" and with a sub-division of photos taken during his visit to Tibet. Viewing those photos of Tibet after having viewed his tapestries made a really big difference to me -- they added tremendous depth to his tapestries. They deserve a place in the exhibition as well, beside the tapestries; they are really part of the artistic process, as well as being a great example of where to look for inspiration and how to translate it into a finished work... It makes me wonder, how is your tapestry coming along for your COE, Syne?????
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Michael Rohde
Wow, he has a great life. You can even shoot a good movie about him. Maybe he could become a cool article critique man. Or maybe couldn't. But he's cool.
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His work has been included in
His work has been included in the United States Department of State Art in Embassies Program, the American Craft Museum in New York, the invitational Triennial of Tapestry in Lodz, Poland, solo exhibits at the Janina Marks Museum in Lithuania, University of British Columbia, Vancouver, at La Jolla FiberArts in California and at del Mano Gallery in Los Angeles.g in the medium of woven textiles, I use my tools to observe and comment on what I see. These observations come from news of world events, travels and study of ancient and traditional art forms. By employing simple, iconic geometry and strong colors, there is room left to contemplate what is not there and not explicitly stated.
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